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Japan TV Media Guide: Major Networks, Audiences and Product PR Opportunities

NHK and Japan's five commercial networks, how Video Research measures ratings, which programs feature products, and how paid and editorial TV differ.

Gloture Editorial Team11 min read

Illustration: a television, a microphone and a desk clock on a tabletop against a dark background, with a yellow accent

Editorial can't be bought; airtime can

NHKEditorial only, no ads
Five key stationsEditorial and labeled ads
ProgramsProducers decide
  • Video Research ratings
  • TVer catch-up
  • Product programs
  • JBA ad rules
Contents
  1. The major networks
  2. How audiences are measured
  3. TV in the advertising market
  4. Programs where products appear
  5. How editorial selection works
  6. Paid vs editorial on Japanese TV
  7. Realistic benefits and limits
  8. How overseas brands should approach TV
  9. Where Gloture fits
  10. Japan TV PR checklist
  11. Frequently asked questions

Short answer: Japanese TV is led by the public broadcaster NHK and five Tokyo-based commercial networks: Nippon TV, TV Asahi, TBS, Fuji TV and TV Tokyo. NHK carries no advertising, so any product appearance there is purely editorial; the commercial networks sell airtime, but paid airtime is labeled as advertising under industry standards. For product PR, the realistic openings are news, business and lifestyle programs that already feature new products, such as TV Tokyo's World Business Satellite and its new-product segment. TV coverage can't be bought as editorial or guaranteed, so treat it as a possible upside, not the plan.

For TV as one channel among several, see product PR channels in Japan. For pitching media in general, see how to get Japanese media to cover your product.

The major networks

Japanese broadcast TV is organized around NHK and five commercial key stations in Tokyo. Each commercial key station leads a nationwide affiliate network of regional stations: NNN/NNS for Nippon TV, ANN for TV Asahi, JNN for TBS, FNN/FNS for Fuji TV and TXN for TV Tokyo.

Japan's national broadcasters at a glance

Public

NHK

Funding
No advertising (Broadcasting Act Art. 83)
Product exposure
Editorial only

Nippon TV

Network
NNN/NNS
Examples
ZIP!, DayDay., Hirunandesu!

TV Asahi

Network
ANN
Example
Ame Talk!

TBS

Network
JNN
Examples
Lovit!, Matsuko no Shiranai Sekai, Ōsama no Brunch

Fuji TV

Network
FNN/FNS
Example
Mezamashi TV

TV Tokyo

Network
TXN
Examples
WBS (Trend Tamago), Gaia no Yoake, Cambria Kyūden
Programs confirmed from official pages or WEB The Television listings, October 2026, except DayDay. (airing as of June 2026). Schedules change.

NHK. Japan's public broadcaster can't run commercials. Article 83 of the Broadcasting Act states that "NHK must not broadcast advertisements concerning the sales of other businesses," while allowing names of businesses where needed for a program, as long as it isn't advertising (Broadcasting Act, Japanese Law Translation). There are no paid tie-ups or sponsored segments on NHK. If a product appears, it is because a program chose it.

Nippon TV. Key station of the NNN/NNS network, operated under Nippon Television Holdings (Nippon TV Holdings). Its morning and daytime information programs are among the slots to watch for product segments.

TV Asahi. Key station of the ANN network, operated under TV Asahi Holdings (TV Asahi Holdings). Its late-night talk show Ame Talk! has occasionally run a "Kaden Geinin" (home-appliance comedians) theme, listed in the table below.

TBS. Tokyo Broadcasting System, key station of the JNN network. Its morning, prime-time and weekend information programs include several of the product-relevant slots listed below.

Fuji TV. Key station of the FNN/FNS network. After many advertisers suspended commercials during a 2025 scandal, Fuji TV had won back about 80% of them as of January 2026, Jiji Press reported (Nippon.com/Jiji, January 2026).

TV Tokyo. Part of TV Tokyo Holdings, whose group also includes BS TV TOKYO and Nikkei CNBC (TV Tokyo Holdings). For product PR it matters because its business programs cover new products and companies directly.

How audiences are measured

Ratings in Japan come from Video Research. It measures viewing in 32 areas across Japan, covering terrestrial, BS and CS broadcasts. Panels are 2,700 households in the Kanto (Tokyo) area, 1,200 in Kansai, 700 in Nagoya, 400 each in Northern Kyushu and Sapporo, and 200 in each of the remaining 27 areas. Every household member aged 4 and over is measured, and Video Research reports both household ratings (世帯視聴率) and individual ratings (個人視聴率), plus timeshift viewing within seven days (168 hours) of broadcast (Video Research, in Japanese).

Individual ratings became much more important after a 2020 renewal expanded individual measurement and tripled the Kanto panel from 900 to 2,700 households (AV Watch, 2020, in Japanese). Broadcasters can see who watched, not just how many homes, and trade press reports that networks now plan around specific age groups (Toyo Keizai, in Japanese).

A 2025 example. In Video Research's 2025 annual ranking (Kanto area, programs of 15 minutes or longer), NHK's year-end music show Kōhaku Uta Gassen (紅白歌合戦) was the most-watched real-time program (Video Research, January 2026, in Japanese). AdverTimes reported a 26.4% individual rating for its 9 p.m. part and a peak moment of 45.0% total individual viewing at 21:08 on 31 December (AdverTimes, January 2026, in Japanese). Don't use an exceptional broadcast to estimate what an ordinary weekday segment reaches.

Catch-up viewing counts too. Video Research also ranks catch-up viewing on TVer, broadcasters' own catch-up sites, ABEMA and Lemino, over eight days from release (Video Research via Kyodo News PR Wire, December 2025, in Japanese). TVer, the commercial networks' joint catch-up service, reported a record 44.7 million monthly unique browsers in January 2026 and 630 million monthly video views, 210 million of them on connected TVs (TVer, March 2026, in Japanese). Unique browsers count browsers, not people. Catch-up means a segment can keep being watched for about a week after it airs.

Younger viewers watch less live TV. Mynavi News, reporting NHK's 2025 time-use survey, said 27% of 16–19-year-olds and 33% of people in their 20s watched real-time TV for 15 minutes or more on a weekday (Mynavi News, June 2026, in Japanese). If your buyers are young, TV is unlikely to be the only channel you need.

TV in the advertising market

TV is still a large advertising medium in Japan, but no longer the largest. According to Dentsu's 2025 Advertising Expenditures in Japan, TV media spending was ¥1.7556 trillion (99.7% of the previous year), of which terrestrial TV was ¥1.6333 trillion. Internet advertising reached ¥4.0459 trillion, more than half of all spending. TV-related video advertising, such as ads on TVer, grew to ¥80.5 billion, up 23.3% (Dentsu via Kyodo News PR Wire, March 2026, in Japanese).

Japan advertising expenditure 2025 (trillion yen)

  • Internet4.05tnMore than half of all spending
  • TV media1.76tn99.7% of 2024
  • Terrestrial TV1.63tnPart of TV media
  • TV-related video ads (e.g. TVer)0.08tnUp 23.3%
Source: Dentsu, 2025 Advertising Expenditures in Japan (March 2026).

Commercial networks are funded by advertisers, which is why industry standards keep advertising and program content apart.

Programs where products appear

The programs below were confirmed as airing in October 2026 from official program pages or KADOKAWA's WEB The Television listings, unless marked otherwise. The last column is our reading of why products can fit, not a statement of each program's editorial policy. Schedules change, so check before you pitch.

Program Network Slot Why products can fit
World Business Satellite (ワールドビジネスサテライト, WBS) TV Tokyo Mon–Thu 22:00, Fri 23:00 (TV Tokyo) Business news with the "Trend Tamago" new-product segment
Gaia no Yoake (ガイアの夜明け) TV Tokyo Fri 22:00 (TV Tokyo) Economic documentary; companies and industries rather than single products
Cambria Kyūden (カンブリア宮殿) TV Tokyo Thu 23:06 (TV Tokyo) Talk show with company leaders, e.g. Tiger Corporation's CEO on 15 October 2026
NIKKEI NEWS NEXT (日経NEXT) BS TV Tokyo Listed at 21:00 in August 2026 (TV Tokyo) Economic news for work, life and investing; replaced Nikkei News Plus 9 in July 2024 (TV Tokyo)
Matsuko no Shiranai Sekai (マツコの知らない世界) TBS Tue 20:57 (WEB The Television) An enthusiast presents a "world," often a product category
Ōsama no Brunch (王様のブランチ) TBS Sat 9:30 (WEB The Television) Weekend information show; lifestyle and trend topics
Lovit! (ラヴィット!) TBS Weekdays 8:00 (WEB The Television) Morning variety show
THE TIME, TBS Weekday mornings; airing as of September 2026 (Sakigake/ORICON) Morning news and information
ZIP! Nippon TV Weekdays from 5:50 (WEB The Television) Morning information show
DayDay. Nippon TV Weekday mornings; airing as of June 2026 (Daily Sports) Morning information show
Hirunandesu! (ヒルナンデス!) Nippon TV Weekdays 11:55 (WEB The Television) Daytime information and variety
Mezamashi TV (めざましテレビ) Fuji TV Weekdays from 5:25 (WEB The Television) Morning news and information
Ame Talk! (アメトーーク!) TV Asahi Thursday late night (WEB The Television) Comedians' themed talk; "Kaden Geinin" (home-appliance comedians) is an occasional theme, not a regular segment

Two notes on programs you may find in older guides. Fuji TV's Mezamashi 8 (めざまし8) is no longer on air: from 30 March 2026 Mezamashi TV was extended by 45 minutes, and the 8 a.m. wide-show slot that, Gendai noted, had run for 61 years disappeared (Gendai, April 2026, in Japanese). Nikkei News Plus 9 on BS TV Tokyo became NIKKEI NEWS NEXT in July 2024. As for Ame Talk!, the most recent Kaden Geinin episodes we found were in year-end specials in 2024 and 2025; we found no 2026 episode.

How editorial selection works

TV producers and directors choose what goes on air. A survey by the PR firm PRIZMA of 507 TV editors and directors, published in November 2024, found press releases were the most-cited source of story ideas (50.3%), just ahead of news sites (49.9%) and events or press conferences (35.7%). Asked what they prioritize, respondents put timeliness first (28.4%), then topicality (19.3%) and expertise or reliability such as survey data (15.2%). In the same survey, 95.1% said they had at least occasionally covered a topic from a press release (PRIZMA, November 2024, in Japanese). It is a PR firm's survey, with method and period not stated, so read it as directional.

Three things shape who you approach:

  • Production companies. Many segments are made by outside production companies. A PR consultant writing in Gentosha GOLD Online suggests checking a program's end credits for the production (制作) and production cooperation (制作協力) companies, which can be easier to reach than the station itself (Gentosha GOLD Online, in Japanese).
  • Official submission routes. Some programs invite information directly. WBS's Trend Tamago (トレンドたまご) segment, where a reporter tries new products and services, says the program is collecting information for it and links a submission form (TV Tokyo, in Japanese). The page doesn't state selection criteria or conditions, so a submission is a pitch, not a booking.
  • The program's own format. A business program needs a company story and numbers. A morning information show needs something that can be shown working in seconds. A category show like Matsuko no Shiranai Sekai is built around a person who knows a category deeply, not around one brand.

Paid vs editorial on Japanese TV

On commercial TV, you can buy airtime. You can't buy editorial coverage. The Japan Commercial Broadcasters Association's (JBA) broadcasting standards, revised in 2023 and in effect since April 2024, draw the line (JBA broadcasting standards, in Japanese):

  • Article 92: advertising must be identified as advertising by airing it as commercials.
  • Article 148(2): except where needed for the production, backdrops, props, costumes and audio with an advertising effect count as part of commercial time.
  • Article 147: total commercials in a week must not exceed 18% of total airtime.
  • Articles 59 and 118: shopping programs and shopping commercials must follow the relevant laws and present facts plainly and clearly.

Article 98 refers to sponsorship of both programs (番組提供) and spots, which are the standard ways to buy TV. So the paid options are commercials (program sponsorship or spot ads) and shopping programs, all identifiable as advertising. A product placed in a program for payment counts as commercial time, not editorial coverage. NHK doesn't sell any of these.

Editorial and paid exposure on Japanese TV

Who decides

Editorial segment
Producers and directors
Commercials (sponsorship or spot)
Advertiser, within broadcaster rules
Shopping program
Advertiser, within broadcaster rules

Shown as

Editorial segment
Program content
Commercials (sponsorship or spot)
Commercials (JBA Art. 92)
Shopping program
Shopping program (JBA Art. 59)

Guaranteed?

Editorial segment
No
Commercials (sponsorship or spot)
Airtime is bought
Shopping program
Airtime is bought

On NHK?

Editorial segment
Yes, editorial only
Commercials (sponsorship or spot)
No
Shopping program
No
Based on the JBA broadcasting standards (in effect from April 2024) and Article 83 of the Broadcasting Act. Paid props or audio with an advertising effect count as commercial time (Art. 148(2)).

If someone offers you a "TV feature" for a fee, ask which of these it is. For how advertising, PR and influencer work divide in general, see Japan PR vs influencer vs advertising agency.

Realistic benefits and limits

What TV can do:

  • Put a product in front of a broad national audience at once.
  • Extend that exposure for about a week through catch-up services.
  • Give you an independent reference for sales conversations, within the broadcaster's rules on using footage.

What TV can't do:

  • Be guaranteed. Producers decide, and a filmed segment can still be cut or moved when news breaks.
  • Give you approval over the edit.
  • Reach every audience equally. Real-time viewing is much lower among teens and people in their 20s.
  • Be measured precisely for one segment. Ratings describe a program or time slot, not your two minutes inside it.

How overseas brands should approach TV

Approaching Japanese TV with a product

  1. 1

    Available in Japan

    Yen price, launch date, where to buy

  2. 2

    Pick programs

    Watch recent episodes, including on TVer

  3. 3

    TV angle

    A visual demo tied to something timely

  4. 4

    Right route

    Official forms, production companies, news desks

  5. 5

    Be ready

    Stock, Japanese page, support, measurement

Producers decide what airs. A pitch is never a booking.
  1. Be available in Japan first: a yen price including tax, a launch date and somewhere to buy. A segment about a product viewers can't buy is hard to justify.
  2. Pick programs, not networks. Watch recent episodes, including on TVer, and note which segments show products like yours.
  3. Build a TV angle: a demonstration that works in seconds, tied to a season, a trend or a household problem.
  4. Prepare Japanese materials: release, demo video, images, samples that work in Japan and a Japanese spokesperson. See the Japan PR kit checklist.
  5. Use the right route: official forms such as Trend Tamago, the production company in the credits, or the news desk via a release.
  6. Be ready if it works. Exposure can come at short notice, so stock, a Japanese product page and support come first.
  7. Measure honestly: the airing, catch-up availability, and searches, traffic and sales afterwards. See how to measure product PR ROI in Japan.

Where Gloture fits

We prepare the Japanese story, release and materials that TV producers need, and we approach relevant programs and production companies alongside print, web and creator outreach. Gloture has confirmed records of 50+ TV-related product features (a company-provided figure from internal broadcast records), but past features don't predict future ones. We don't sell TV airtime and we aren't affiliated with any broadcaster. Product PR in Japan starts from US$2,500, and we don't guarantee coverage, on TV or anywhere else. To see whether your product has a TV angle, start a Japan PR Review.

Japan TV PR checklist

Japan TV PR checklist

  • Product on sale in Japan with a yen price including tax
  • Target programs chosen from recent episodes
  • A visual demo that works in seconds
  • A timely hook: season, trend or household problem
  • Japanese release, demo video and images
  • Samples that work in Japan and a Japanese spokesperson
  • Stock, product page and support ready for a spike
  • Paid airtime planned and reported separately from editorial

Frequently asked questions

Can we pay to be featured on a Japanese TV program?

You can buy commercials, program sponsorship or shopping-program time on commercial networks, but that is advertising. Under JBA standards, advertising must air as commercials, and props or audio with an advertising effect count as commercial time. NHK carries no advertising at all.

Which Japanese TV programs feature new products?

TV Tokyo's World Business Satellite has a dedicated new-product segment, Trend Tamago, with an official submission form. Morning and daytime information shows such as ZIP!, Mezamashi TV and Hirunandesu!, and TBS's weekend show Ōsama no Brunch, can also fit consumer products. Schedules change, so check current listings first.

How are Japanese TV ratings measured?

Video Research measures viewing in 32 areas using household panels, including 2,700 households in Kanto, and records every member aged 4 and over. It reports household and individual ratings, timeshift viewing within seven days, and separate rankings for catch-up viewing on TVer and similar services.

This article is prepared by the Gloture editorial team based on Gloture’s experience supporting product PR in Japan.

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